Tuesday, December 28, 2010
Diver Narrative
Ink and watercolor 11" x 17"
This is an example I drew to show a class how to tell a story using gestures and view points.
This is an example I drew to show a class how to tell a story using gestures and view points.
Thursday, July 22, 2010
Thursday, July 15, 2010
Monday, June 21, 2010
Redleaf book 3
Redleaf Book 2
Wednesday, May 26, 2010
Self Portrait in Watson and the Shark Remake: by John Copley 1778
Self Portrait
Friday, April 16, 2010
Laundry Detergant illustration
11"x14" color pencil
Class assignment: to create a magazine add for a product.
We use Seventh Generation at my house and it seems pretty safe for the environment, so for my illustration I wanted to show a parallel between fresh water fish and laundry chemicals, and the awareness that cleaning products can actually be very harmful.
Redleaf Illustration Book 2
Saturday, March 20, 2010
Comics
Tuesday, March 16, 2010
First Avenue
Friday, March 5, 2010
Magnum P.I.
Thursday, March 4, 2010
Comics
Seven Chicken Sins
The Struggles to Better Man Kind
11"x 14" ink and watercolor
This is one of the few hundred comics I've drawn where I've had the time to finalize it and color it in. This was also shown at Altered Esthetics, a gallery in Minneapolis. It's called "The Struggles to Better Man Kind" as kind of a joke on what is considered consumable bi-products added to our food as well as the humor of diet fads and the "scientific studies" that are constantly telling us what we can and can't eat.
The Entertainer
18"x 20" acrylic paint
This is an older but still one of my favorite paintings I've done. I'm really drawn to creating wimsicle scenes that can sort-of break out of standard perspective, but you still follow it kind of like an image sort of like a dream. And like a dream, the images are left open to interpretation but never fully clear.
The Woodsman
Sunday, February 28, 2010
Redleaf illustrations
Thursday, January 28, 2010
Sunday, January 17, 2010
Wednesday, January 13, 2010
The Discovery
This is my most recent painting that I just finished this year. I was going for the idea of discovery and exploration crossing into imagination and the impossible. So far, this sort of stretch of science and subconsious can only be preformed through the arts, whether its through movies, books, or paintings like this one.
I asked my friend Jason Peterson to assist in writing his own version of my artist statement to give it a more scholarly appeal, this is what he wrote:
The human mind is a constantly evolving landscape wherein the fragments of reality combine with the unknown to create a lucid atmosphere, both anxiously charged and terrifying, which allows us to draw on our experiences and play them out in alternate realities that force us to question the possible.
In The Discovery, Todd has attempted to capture this realm of meta-consciousness by stationing the subjects in the dark and uncharted depths of the ocean, and by mixing the elements of reality (technology and it’s growing reach of discovery) and the extraordinary (the once-self-propelled and inorganically-conscious Tin Man of Oz) in a circumstantial relationship that tests the very boundaries of the possible, and at once comments on the tenuous malleability of hard science in the face of new physics.
Yeah, that's what I said!
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